Producer: Alexandra Patsavas
Viola: Andrew Duckles
Engineer: Ari Levine
Producer: Bruno Mars
Violin: Charlie Bisharat
Assistant Mixing Engineer: Chris Galland
Executive Producer: Craig Kallman
Assistant Mixing Engineer: Erik Madrid
Violin: Josefina Vergara
Executive Producer: Julie Greenwald
Mixer: Manny Marroquin
Bass: Oscar Hidalgo
Producer: Paul Katz
Strings: Phredley Brown
Masterer: Stephen Marcussen
Digital Editor: Stewart Whitmore
Orchestra Leader: Suzie Katayama
Producer: The Smeezingtons
Writer: Ari Levine
Writer: Bruno Mars
Writer: Philip Lawrence
ytimg.preload(https://r13---sn-axq7sn7s.googlevideo.com/generate_204);ytimg.preload(https://r13---sn-axq7sn7s.googlevideo.com/generate_204?conn2);Alicia Keys Here in Times Square 2016, last 3 songs — YouTube<link rel=«alternate» type=«application/json oembed» href=«www.youtube.com/oembed?format=json
Fill the bando up with bands
Give the lil bro them a job
You can come get rich with us
You gone eat or you gone starve
Keep a certified hittas and I pay him not to rob
Hop out 2020 Cullinan and I’m riding in a star
Know some people hate that I’m on top I bulletproof the car
All the members made three bands our pack live like they cracking cards
Joe know for a fact I keep it real he still ain’t take the charge
Why she talkin’ crazy bout me like I dont do more than my part
I can’t play with my creation give the world to my lil boy
I been saving more than I been spending that’s what I be on
I’m a human I’m not perfect I know sometimes I be wrong
[Hook]
I’m like come and put that pussy on me Dont be running from me
If I like it I spend money on it
Get whatever from me
Put six figures in your business I do real shit
I drop cash at the dealership
They’ll mail you a pink slip
She make sure she keep her nails did and her wig fixed
Went to jail and that one held me down shea real bitch
Hundred rounds in this double drum It’s a kill tent Marco been in prison for a while but he still flexin’
[Verse 2]
I told bro and them to park the car but they still wreck
I dont think nobody around still but I still check
I don’t gota hundred million I can’t chill yet
But don’t get it misconstrued yeah I get real checks
baby fucking like a pornstar we have real sex
Have nobody in our business we take real jets
Say she like when I perform so I fuck her with my chains on
And she handle her part so I let her play the main role
Ain’t have to get rich for this partner stay with the same folks
And I cant beef with none of you niggas not in the same boat
Never gone get caught up about it know how the game go
10 chain bussin’ look like rainbows
[Hook]
I’m like come and put that pussy on me Don’t be running from me
If I like it I spend money on it
Get whatever from me
Put six figures in your business I do real shit
I drop cash at the dealershipThey’ll mail you a pink slip
She make sure she keep her nails did and her wig fixed
Went to jail and that one held me down she a real bitch
Hundred rounds in this double drum It’s a kill tent Marco been in prison for a while but he still flexin’
I’m like come and put that pussy on me Dont be running from me
If I like it I spend money on it
Get whatever from me
Listening to a new track by Ben Esser is always exciting. The man from Berlin is a master of melodies. A King on the keys. With a sense for chord sequences boasted only by the likes of Cashmere Cat, Lido or Flume. Drifty drums on vast synths, that is what Love you more is. A smooth blend of powerful harmonies and heartbreaking vocal samples.
It is music to dance to. Music to make love to. But above all, it is music to fall in love with. It at least was for us, which is why we are proud to call Ben Esser the latest addition to the Crispy Crust Records family. His meticulous approach to building tracks and his sophisticated productions have already earned him the support of the Fool’s Gold’s Headhonchos A-Trak and Nick Catchdubs.
So with out further ado we give you: Love you more.
Grab your personal copy of Ben Esser‘s beautiful new opus “Love You More” now.
Story behind the song:
Our kids give us great inspiration for our music. When Jons 17-year-old daughter said how much she loved this song, Jon decided to try it. He experienced a flood of inspiration. «Never has a piano part come
together this fast,» Jon says. Steve experienced similar inspiration
while composing the cello parts. Since the lyrics suggest a bride
walking towards the groom in a ceremony we thought we would include a quote from the Bridal Chorus by Wagner in the climax of the song. (It is carefully disguised).
As it seems to always go, Paul and Tel didnt find the spot until they spent 9 hours driving around southern Utah the day before the shoot looking. After getting a little discouraged by not finding anything that great, they just happened to check out a little-hidden spot right near Baker Dam and thought it was perfect for the song. The next morning we all loaded up the piano and headed out there to film, but after getting the Truck and Trailer stuck and waiting for the sun to move, we didnt get started filming until that evening having about 3 hours of light. It was so fun to film and play in the middle of the trees!
Credits
A Thousand Years written by CHRISTINA PERRI, DAVID HODGES
Published by SUMMIT BASE CAMP FILM MUSIC, EMI BLACKWOOD MUSIC INC, CHRISTINA PERRI D/B/A MISS PERRI LANE PUBLISHING
Arrangement produced by Jon Schmidt
Arrangement written by Al van der Beek, Jon Schmidt,
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