Tracklist:
00:00 — Clarence Frogman Henry — I Aint Got No Home
02:19 — Little Walter — My Babe
04:49 — Clarence Garlow — New Bon Ton Roulay
07:38 — Bobby Charles — Take It Easy Greasy
09:50 — Louisiana Red — Alabama Train
13:07 — Muddy Waters — Louisiana Blues
15:59 — Slim Harpo — Im a King Bee
18:56 — Big Bill Broonzy — Southern Flood Blues
22:12 — Big Joe Reynolds — Third Street Woman Blues
24:52 — Little Walter — Come Back Baby
27:54 — Bobby Charles — See You Later Alligator
30:42 — Slim Harpo — I Got Love If You Want It
33:26 — Lightnin Slim — Its Mighty Crazy
35:53 — Warren Storm — Mama Look What Your Liitle Boys Done
38:12 — Lightnin Slim — My Starter Wont Start
41:00 — Lazy Lester — Im a Lover Not a fighter
43:42 — Little Walter — Youd Better Watch Yourself
46:45 — Muddy Waters
The Beatles 1 Video Collection is out now. Available on: www.thebeatles.com/
Hey Jude topped the charts in Britain for two weeks and for 9 weeks in America, where it became The Beatles longest-running No.1 in the US singles chart as well as the single with the longest running time.
The Beatles did not record their promotional film until Hey Jude had been on sale in America for a week. They returned to Twickenham Film Studio, using director Michael Lindsay-Hogg who had worked with them on Paperback Writer and Rain. Earlier still, Lindsay-Hogg had directed episodes of Ready Steady Go! And a few months after the film for Hey Jude he made The Rolling Stones Rock and Roll Circus TV special that featured John and Yoko but wouldn’t be shown until 1996
To help with the filming an audience of around 300 local people, as well as some of the fans that gathered regularly outside Abbey Road Studios were brought in for the song’s finale. Their presence had an unlikely upside for The Beatles in their long-running saga with the Musicians’ Union in that the MU were fooled into believing the band were playing live, when in fact they were miming for the vast majority of the song. Paul, however, sang live throughout the song.
The video was first broadcast on David Frost’s Frost On Sunday show, four days after it was filmed. At that point transmission was in black and white although the promo was originally shot in colour. It was first aired in America a month later on 6 October 1968, on The Smotheres Brothers Comedy Hour.
Lyrics
[Verse 1]
Its always around me, all this noise
But not nearly as loud as the voice saying
«Let it happen, let it happen (Its gonna feel so good)
Just let it happen, let it happen»
[Chorus 1]
All this running around
Trying to cover my shadow
A notion growing inside
Now all the others seem shallow
All this running around
Bearing down on my shoulders
I can hear an alarm
It must be morning
[Verse 2]
I heard about a whirlwind thats coming round
Its gonna carry off all that isnt bound
And when it happens, when it happens (I wont be holding on)
So let it happen, let it happen
Its gonna feel so good
Its gonna feel so good
[Verse 1]
Its always around me, all this noise
But not nearly as loud as the voice saying
«Let it happen, let it happen (Its gonna feel so good)
Just let it happen, let it happen»
Its gonna feel so good
[Chorus 2]
All this running around
I cant fight it much longer
Somethings trying to get out
And its never been closer
If my take-off fails
Make up some other story
But if I never come back
Tell my mother Im sorry
[Bridge]
(Gibberish)
[Outro]
Baby, now Im ready, moving on
Oh but maybe I was ready all along
Oh Im ready for the moment and the sound
Oh but maybe I was ready all along
Baby, now Im ready, moving on
Oh but maybe I was ready all along
Oh Im ready for the moment and the sound
Oh but maybe I was ready all along
«Great Protest Songs Cant Get Old, Stale Or Nonrelevant Because The Struggle Still Continues. Thats Why THEY DONT REALLY CARE ABOUT US IS The Anthem During This Chaotic, Pandemic World We Are All Living In. To Celebrate Michael Jacksons Born Day, We Have Made The THEY DONT REALLY CARE ABOUT US 2020 Short Film To Continue The Struggle For Equality For All. Thats The Truth, Ruth. Be Safe.» Spike Lee — Da Peoples Republic Of Brooklyn.
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